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I am here thinking of the whole body of the arts, the vehicles through which the spirit of man has been expressed. I am thinking also of the sciences,—whose refractory, belligerent worshipers are even less satisfied with any past expression than the artists are, for their mission is to destroy and to rearrange. They would leave nothing alive but themselves. Nevertheless, science has always been obliged to make use of written language in recording her ideas. The sciences are as much a part of recorded language as are the arts. No matter how revolutionary scientific thought may be, it must resort to metaphysics when it begins to formulate its ultimate meanings.

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Now when you approach metaphysics, the Greek and the Hebrew have been there before you: you are very near to matters which perhaps you never intended to approach.

You are back at the beginning of all things. In fact, human thought does not advance, it only recurs. Every tone and semi-tone in the scale is a keynote; and every point in the Universe is the centre of the Universe; and every man is the centre and focus of the cosmos, and through him passes the whole of all force, as it exists and has existed from eternity; hence the significance which may at any moment radiate out of anything.

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Anyone who has something to say is thus found to be in one sense a slave, but a rich slave who has inherited the whole earth. If you can only obey the laws of your slavery, you become an emperor: you are only a slave in so far as you do not understand how to use your wealth. If you have but the gift of submission, you conquer. Many tongues, many hands, many minds, a traditional state of feeling, traditional symbols,—the whole passed through the eyes and soul of a single man,—such is art, such is human expression in all its million-sided variety.

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The age of machinery has peopled this continent with promoters and millionaires, and the work of a thousand years has been done in a century. The thing has, however, been accomplished at some cost. An ignorant man makes a fortune and demands the higher education for his children. But it is too late: he should have given it to them when he was in his shirt sleeves. All that they are able to receive now is something very different from education. In receiving it they drag down the old standards. School and college are filled with illiterates. The whole land must patiently wait till Learning has warmed back to life her chilled and starved descendants. Perhaps the child or grandchild of the fortune-builder will teach the children on his knee what he himself learned too late in life to stead him much.

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The pure chromatic circle was limited, it is true; but, specific as it was, it appears to have been applied to innumerable objects, while it was circumscribed by qualifying characteristics. If we take a glance at the copiousness of the Greek and Roman terms, we shall perceive how mutable the words were, and how easily each was adapted to almost every point in the colorific circle.

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Because the film world had fascinated me always I had made a point of being posted on its people and their activities. I remembered the very first appearance of Stella Lamar back in the days of General Film, when pictures were either Licensed or Independent, when only two companies manufactured worth-while screen dramas, when any subject longer than a reel had to be of rare excellence, such as the art films imported from France for the Licensed program. In those days, Stella rose rapidly to prominence. Her large wistful eyes had set the hearts of many of us to beating at staccato rate.

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